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The Last Beatles Song Has Been Released And It’s Pretty F*cking Good

The Beatles have surprised and delighted their fans with the release of Now and Then, a song that features the voice of John Lennon, who died in 1980. The song was created from a demo tape that Lennon recorded in the late 1970s, and was given to the remaining Beatles by Yoko Ono in 1994. The song was unfinished and had technical difficulties, so it was shelved until recently, when artificial intelligence was used to isolate Lennon’s voice from the piano sound. Paul McCartney and Ringo Starr then added new vocals, bass, drums, and strings, while keeping George Harrison’s guitar parts from 1995. The result is a bittersweet and poignant finale for the Fab Four’s recording career.

Now and Then is a slow and melancholic ballad, with Lennon singing about his nostalgia for the past and his longing for the future. The lyrics are simple and heartfelt, such as “Now and then I miss you / Now and then I wonder what I’m gonna do / Now and then I think about you / Now and then I know it’s true”. The song has a haunting quality, as Lennon’s voice sounds distant and fragile, while McCartney and Starr harmonize with him in a tender and respectful way. The song also features a slide guitar solo that pays tribute to Harrison, who died in 2001.

The song is not a Beatles classic, nor does it have the same energy and innovation as their earlier works. But it is still a beautiful and touching song that celebrates the bond between the four bandmates, who changed the history of music and culture. It is also a gift to their loyal fans, who have waited for decades to hear their final song. Now and Then is a fitting farewell to the Beatles, who have left us with an amazing legacy of songs that will live on forever.

Check out the new tune:


Celebrating Chuck Berry's Birthday and Carl Sagan's Timeless Tribute, Heard Across the Universe

Chuck Berry, the legendary rock and roll pioneer, celebrated his 60th birthday on October 18, 1986. Among the many tributes and congratulations he received, one stood out for its cosmic significance. It was a letter from Carl Sagan, the renowned astronomer and science communicator, who informed Berry that his music had been sent to the stars.

Sagan was the chairman of a committee that selected the contents of the Voyager Golden Records, two identical phonograph records that were attached to NASA’s Voyager spacecrafts, launched in 1977. The records contain sounds and images that represent the diversity of life and culture on Earth, intended for any intelligent extraterrestrial life form who may find them. The records are expected to last for at least a billion years, as they travel through interstellar space.

Among the 27 musical selections from different cultures and eras, one song was chosen to represent rock and roll: “Johnny B. Goode” by Chuck Berry. Sagan wrote in his letter: “When they tell you your music will live forever, you can usually be sure they’re exaggerating. But Johnny B. Goode is on the Voyager interstellar records attached to NASA’s Voyager spacecraft - now two billion miles from Earth and bound for the stars.

Sagan also expressed his admiration for Berry’s music, which he described as “the music of the human species”.

Berry was touched by Sagan’s letter, and replied: “I was so surprised and honored when I received your letter informing me of what you had done to make my song ‘Johnny B. Goode’ a part of history forever.

Berry’s music has influenced generations of musicians and fans, and has been recognized as one of the greatest achievements of American culture. But perhaps his greatest legacy is that his music has transcended the boundaries of time and space, and has reached out to the unknown wonders of the universe.

The 1975’s Matty Healy Defends On-Stage Protest Against Anti-LGBTQ Laws in Malaysia

Matty Healy, the frontman of The 1975, recently defended the band's on-stage protest against Malaysia's anti-LGBTQ laws, which led to their ban from the country. The incident occurred during their performance at the Good Vibes festival in Kuala Lumpur in July. Healy criticized Malaysia's laws against same-sex relationships and kissed bassist Ross McDonald, a part of their routine act. This led to their set being cut short and the cancellation of the festival by the Malaysian government.

Post the incident, The 1975 faced legal repercussions. Future Sound Asia, the festival organizer, demanded £2 million in damages. Malaysian artists who couldn't perform due to the cancellation filed a class-action lawsuit. Healy was criticized by Malaysian LGBTQ activists and Julian Casablancas of The Strokes for his protest method.

Healy defended his actions during a show in Dallas. He argued that their act wasn't meant to provoke but was a part of their regular stage show. He stated that removing any part of their show would have been an endorsement of Malaysia's bigoted views on LGBTQ people.

Healy highlighted the repressive nature of Malaysia's laws on homosexuality and focused on the liberal outrage against their consistent pro-LGBTQ stage show. He found it puzzling that liberals saw their performance as an insensitive display against Malaysian cultural customs and a performative gesture of allyship. Some even criticized it as a form of colonialism, accusing The 1975 of imposing Western beliefs on the Eastern world.

Healy rejected these arguments, emphasizing that they were invited to perform in Malaysia and had no power to enforce their will on anyone there. He also mentioned various illiberal laws in many U.S. states regarding LGBTQ people and bodily autonomy, arguing that critics would find it appalling if The 1975 were to acquiesce to such laws.

Find the full speech HERE:

https://twitter.com/the1975_thteam/status/1711593407339286829

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